Book Review: Little & Lion

Title: Little & Lion
Author: Brandy Colbert
Genres: Contemporary
Pages: 330 pages
Publisher: Little, Brown & Company
Review Copy: Purchased
Availability: In Bookstores Now!

Summary: When Suzette comes home to Los Angeles from her boarding school in New England, she isn’t sure if she’ll ever want to go back. L.A. is where her friends and family are (along with her crush, Emil). And her stepbrother, Lionel, who has been diagnosed with bipolar disorder, needs her emotional support.

But as she settles into her old life, Suzette finds herself falling for someone new…the same girl her brother is in love with. When Lionel’s disorder spirals out of control, Suzette is forced to confront her past mistakes and find a way to help her brother before he hurts himself–or worse.

Review: I’m just going to say this from the start – I loved this book! I had a smile on my face the entire time I was reading it because I loved Suzette so much. I loved her messiness, her doubts, her loves, but most importantly I loved the relationship she had with her brother, and the importance it had in her life. Little & Lion is not a light-hearted story by any means but it does have wonderful touching moments between Suzette and a number of other characters that make Brandy Colbert’s second novel a deeply moving story.

As I said before the heart of the story is Suzette’s (Little) relationship with her step-brother Lionel (Lion). The two are only a year apart and have an extremely close relationship. At the beginning of the book, their relationship is a bit in the awkward stage as Suzette is returning from the boarding school she was sent to by her parents while Lionel began the initial stages of treatment. Suzette feels like she abandoned Lionel and hopes that their relationship remains the same. I like that the story begins with Suzette and Lion together and we get a chance to see their bond pick up where it left off when Suzette left for school 9 months earlier. The easiness that the two had, the love for each other, just emanated off the page. The two share intimate secrets and truly trust each other so much that Suzette was the first to spot something was wrong with her brother when his mania begins to start after he stops taking his medicine. This decision brings much personal conflict for Suzette as she believes her brother is making a mistake, but because of the guilt she feels for being away while he was going through treatment she keeps his secret. It is Little’s love for Lion that is the heart of many of the decisions she makes and what really draws me to her.

While Suzette is dealing with her brother’s issues, she is also in the process of discovering her own sexuality, specifically realizing that she is bisexual. At her boarding school, she developed a relationship with her roommate, Iris, that unfortunately had a heartbreaking end. Suzette blames herself for the break-up, but also wonders if she was just attracted to Iris because of who her roommate was or if she is actually attracted to girls. Coming home further confuses her when she begins to have feelings for her close male friend Emil. The confusion, the questioning that Suzette felt was very real and written in a such a manner that tenderly shows the internal turmoil discovering one’s sexuality can be for a teenager. Luckily, Suzette is surrounded by a supportive best friend and a loving family, and because of this is able to safely navigate her feelings and explore this realization of herself. I won’t give away the ending, but I will say I like the choice that Suzette makes and feel that it is very true to her character and her growth throughout the novel.

I greatly enjoyed Colbert’s debut novel, Pointe, but I think I love Little & Lion more. I think what made me smile was that Colbert adds spots of “wokeness” where Suzette responds to racism, sexism, ignorance to bipolar disease, and the misconceptions about bisexuality. Those moments didn’t feel preachy at all, but an example of how folks should respond when faced with prejudice. What also made me smile was the all the wonderful touches to life in Los Angeles throughout the novel. As an Angelino (yes, that is what we are called) seeing all the local places and hidden gems mentioned just added to the beauty of the novel. All of these aspects combined made for a novel that I truly loved and stayed with me long after I finished reading it. I want to know what happens next with Suzette and travel with her in the next phase of her life.

Recommendation: Buy It Now!

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Review: Allegedly

Title: Allegedly
Author: Tiffany D. Jackson
Genres: Contemporary, Mystery
Pages: 387
Publisher: Katherine Tegen Books
Review Copy: Purchased
Availability: Available for purchase now

Summary: Mary B. Addison killed a baby.

Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a church-going black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.

Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.

There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

In this gritty and haunting debut, Tiffany D. Jackson explores the grey areas in our understanding of justice, family, and truth, and acknowledges the light and darkness alive in all of us.

Review: Tiffany D. Jackson’s debut novel is a hard-hitting examination of what it’s like for a teen girl to spend a significant portion of her life in jail and then move to a group home. Jackson tackles issues like racism, child (sexual) abuse, mental illness, poverty, and a justice system that just doesn’t care about the people trapped inside it. Mary’s struggle to forge a path for herself after getting out of jail is a gripping story, filled with people who want to help her and others who just want to tear her down or are entirely unequipped to be useful.

Mary is a compelling narrator whose reader-friendly goals (survive the group home, go to college, and save her baby) make it easy to root for her. However, she is also an unreliable narrator, and I found it fascinating to compare her thoughts to the (also biased and unreliable) excerpts from court documents, books, etc. about her and her case. Mary’s particularly difficult relationship with her mother was fascinating, since she had many reasons to hate her—but she still wanted affection and love from her mother all the same.

The group home Mary is sent to is a nightmarish place where it’s every girl for herself and the adults do the barest minimum to collect their checks. Contrasting all those awful people and events against the better people and things in Mary’s life made the briefer moments of kindness a welcome relief. Ms. Claire and Ms. Cora are particular standouts; I have mixed feelings about Ted due to the age gap between him and Mary.

I am not enamored with the ending, which is difficult to talk about without massive spoilers. Suffice it to say that I felt that the final twist undermined some of the good work the narrative had done earlier, particularly since it seemed redundant in light of the conclusion to Sarah’s story arc. It was not the ending I wanted, but I’m not sure that what I wanted would have produced a better story.

Recommendation: Get it soon. Allegedly is a compelling story told from the POV of an unreliable narrator who explores the injustices in the justice system and how hard it is to try to get back on your feet. Opinions will be divided on the ending, but overall, Jackson’s debut novel is worth a look if you’re up for a story that tackles difficult–and timely–topics.

Extras

Author Interview: Allegedly by Tiffany D. Jackson

The Darker Side of the Story: Tiffany D. Jackson talks ALLEGEDLY

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Interview with Abdi Nazemian

Today we welcome Abdi Nazemian to the blog. We’re excited to learn more about his new novel The Authentics, which was released earlier this month.

Summary: The Authentics is a fresh, funny, and insightful novel about culture, love, and family—the kind we are born into and the ones we create.

Daria Esfandyar is Iranian-American and proud of her heritage, unlike some of the “Nose Jobs” in the clique led by her former best friend, Heidi Javadi. Daria and her friends call themselves the Authentics, because they pride themselves on always keeping it real.

But in the course of researching a school project, Daria learns something shocking about her past, which launches her on a journey of self-discovery. It seems everyone is keeping secrets. And it’s getting harder to know who she even is any longer.

With infighting among the Authentics, her mother planning an over-the-top sweet sixteen party, and a romance that should be totally off limits, Daria doesn’t have time for this identity crisis. As everything in her life is spinning out of control—can she figure out how to stay true to herself?


How did you find your way to this story of family and identity?

I started my career as a screenwriter, and I still work in film and television. I love that medium, but one of the unfortunate realities of the business is that getting movies about Iranian characters made is extremely difficult. I’ve tried many times to write stories that explore my culture for the screen, and inevitably the conversation turns to the lack of bankable stars that could be cast in the roles. Take a look at some of the highest-profile movies about Iranians that Hollywood has made for a peek into this problem. Gael Garcia Bernal and Alfred Molina are Hollywood’s version of Iranians. Jake Gyllenhaal is their Prince of Persia. The argument for these decisions is that there are no Iranian stars, but how can there be if no one gives Iranian actors a chance? I’ve always loved books, and at some point in my screenwriting career, I had this epiphany that in the literary world, no one could tell me they needed a celebrity to publish my book. Then I discovered that writing novels was also a far more personal journey than screenwriting, and that liberated me to write stories that explored issues of family and identity that were (and still are) closest to me. For this particular story, it’s hard to pinpoint one thing that helped me find my way, but I think the biggest inspiration was my own children, who were born with the help of an incredible surrogate, and who are being raised in a very modern, very multicultural family. They were babies when this book began to take shape, but I projected forward to the kinds of questions they might have, and I began to write a fictional story inspired by those questions. And then, luckily, Daria took on a life of her own. She had a lot to say. And for the record, I have no secrets from my own children.

What did you like most about Daria?

I love so much about Daria, but perhaps what I love most is her passion. That passion is partly inspired by myself as an older teen (I was very outspoken about my views on right and wrong), but mostly inspired by many young people I know who are devoted to speaking out for what they believe in. Daria’s pride in her culture, her commitment to her friends, her patience and empathy for her family, are all offshoots of that passion. She is a deeply moral person, and wants to live a life of truth. Sometimes circumstances make that difficult, and that’s what the book explores, but Daria never strays far from her core desire to be honest and make moral decisions. I love that about her. Also, I love her capacity for forgiveness.

What forms of media were you most interested in when you were a teen? What kinds of stories got your attention?

Before my teen years, I was a huge reader (a lot of Ramona books, endless readings of Charlotte’s Web and an insatiable obsession with Archie Comics).  By the time I became a teenager, I developed a fascination with Old Hollywood. I watched old movies voraciously, everything from film noir to musicals to silent film. Those films transported me to a fantasy version of the world, which was very appealing to me as a kid who usually wanted to crawl out of his dark, gay skin. I read a lot back then, though YA wasn’t the thriving world it is now, and there were few diverse reads to be found. My favorite book as a teen was Oscar Wilde’s The Picture of Dorian Gray. I worshipped it. And in my later teen years, I discovered James Baldwin, who remains my favorite author. His writing is ridiculously good, and perhaps sadly, more relevant than ever. If we all read his words and studied them, we’d probably live in a much more beautiful world.

Though this is your debut YA novel, you’re not new to writing. Did writing The Authentics have any unique challenges?

It absolutely did. First and foremost, this was my first young adult novel, and I love YA, so I wanted to enter this world with a story that would have an impact and feel honest. Also, this is a far more personal piece of writing than most of my screenwriting work. This is a chance for me to represent the people I love most: Iranian-American characters, LGBTQ people of color, young people questioning their identity, and struggling with how to define themselves in a world obsessed with labels. I am painfully aware of how rare depictions of minorities are in our stories, and so I felt an added responsibility here to get it right, and to make sure that all my love for these characters came through loud and clear.

Being authentic is obviously a focus in this story. What does it mean to you to be authentic? How does that look in everyday life?

The word “authentic” is thrown around so often these days that it starts to lose any real meaning. Sometimes it’s a badge of honor (that’s how Daria and her friends use it), and sometimes it is hurled as an accusation toward anyone or anything we think is false. I wanted to explore this subject matter because I feel passionately that there is more than one way to be authentic. To me, being authentic only means being true to oneself, and that looks different for every human being. That might be why the relationship between Daria and her ex-best-friend Heidi (who Daria calls a “Nose Job”) is one of my favorites in the book. Daria considers Heidi inauthentic for focusing so much on her appearance, while Heidi feels that she is authentic because she is projecting the person she wants to be. To me, both characters are authentic in their own way, and their journey is to see authenticity in someone who is different from them. I recently read this quote from one of my favorite singers, Lana Del Rey, who is constantly accused of being inauthentic, and she said a lot of smart things on the subject: “Of course. I’m always being myself. They don’t know what authentic is. If you think of all the music that came out until 2013, it was super straight and shiny. If that’s authentic to you, this is going to look like the opposite. I think that shit is stylized. Just because I do my hair big does not mean I’m a product. If anything, I’m doing my own hair.”

I just found and read Madonna’s picture book The Adventures of Abdi at my local library. Are you certain there’s no connection to you?

There are few things I want more in the world than to be connected to Madonna. I fell in love with her when her very first video was released, and made my parents take me to The Virgin Tour despite being way too young for it. Not long after that, I converted a room in our home into “The Madonna Room” (no, this is not a joke). You can imagine my extreme excitement when I saw that Madonna had released a book about the adventures of a boy named Abdi, who does look a little like me. Sadly, I have no proof that the character is connected to me, though I can confirm I knew some people who worked with Madonna at the time, and that she signed an autograph to me well before the book was released, so perhaps my name seeped into her subconscious somehow. A boy can hope.

What’s up next for you in writing? Are we likely to see more YA books from you?

I write both screenplays and novels. In my screenwriting life, I am currently adapting a phenomenal documentary called “Out of Iraq” into a narrative feature. It’s the story of two Iraqi men who fall in love against the backdrop of the Iraq War, and their struggle to be reunited when one moves to the United States and the other gets stuck in the bureaucracy of the immigration system. It’s an honor to adapt it. In my life as an author, I am committed to continuing to write young adult fiction. Writing “The Authentics” was so gratifying, and I have more stories to tell in this space. I’m about halfway done with my next book, so I shouldn’t say too much about it, but I can say that it is probably the most personal writing I’ve ever done, and that it tells the story of a love triangle between three teens who get caught up in the world of AIDS activism in the late 1980s and early 1990s.

Is there anything you would like to tell our readers that I didn’t ask?

I’d like to say thank you to the young adult reading community for demanding diverse reads from publishers. Reading young adult fiction gives me so much hope for our future. I believe storytelling is our greatest tool for creating empathy, and seeing the way young people are demanding and consuming literature about characters who don’t look or think like them is so exciting to me. It’s easy to be pessimistic about the world, and seeing a book like The Hate U Give on the bestseller list makes me optimistic. Discovering there is a whole community of Iranian YA authors makes me optimistic. Reading YA books about cultures and experiences that were foreign to me gives me hope. And that’s all the result of readers creating demand for these stories. So, I’d like to just say thanks, and keep seeking out stories you may not think are for you.


Abdi Nazemian spent his childhood in a series of glamorous locations (Tehran, Paris, Toronto, New York), but could usually be found in his bedroom watching old movies and reading. He currently resides in Los Angeles with his two children and his fiancé.

Abdi has written four produced films: MENENDEZ: BLOOD BROTHERS (Lifetime, 2017), THE QUIET (Sony Pictures Classics, 2006), CELESTE IN THE CITY (ABC Family, 2004), and BEAUTIFUL GIRL (ABC FAMILY, 2003). He also wrote, directed and produced the short film REVOLUTION (2012). He is proud to say his words have been spoken by the likes of Carmela Soprano, The Nanny, and The Girl With The Most Cake.

Abdi’s first novel, THE WALK-IN CLOSET, was released in 2015 by Curtis Brown Unlimited, and was awarded Best Debut at the Lambda Literary Awards. His debut young adult novel, THE AUTHENTICS, was released on August 8, 2017 by Balzer + Bray / HarperCollins.

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Guest Post: Sonia Patel

Please welcome Sonia Patel to Rich in Color today. Her newest book, Jaya and Rasa: A Love Story, will be available next month. We really enjoyed Rani Patel in Full Effect, her debut last year, and are looking forward to this new release.


KEEP IT REAL OR YOU MIGHT DIE.

Keep it real or you might die. Sound extreme? Let me explain this short but profound sentence I often use to help struggling teens in my child and adolescent psychiatry practice. I’ll start by breaking it down into two parts.

Keep it real = Determine your true thoughts and feelings in the moment and speak up for yourself in all honesty.
Or you might die = If you stay quiet and believe the negative automatic thoughts, feelings, and risky impulses that your mind is tricking you with then you might be more likely to go through with the risky impulses (suicide attempts, accidental excessive drug/alcohol use, unprotected sex, etc.) because there doesn’t seem to be any other way out of the intolerable swirl of chaos in your mind.

Obvious? Not to everyone, especially not to vulnerable teens. These are the pained teens—from all walks of life—I have the honor of treating. These are the teens who have a genetic predisposition to an emotional illness (such as depression or anxiety), have lived through trauma, or have dysfunctional family systems—or all three. These teens are more likely to remain silent about the unwanted, false, automatic negative thoughts, feelings, and impulses that plague them. For different reasons, these teens aren’t taught to speak up about, tolerate, or cope with all the negativity. This silent suffering becomes their invisible “teacher” and they learn to act out on their self-destructive impulses. Soon the only way they know how to minimize emotional distress is to act out with dangerous behaviors. It may become hardwired into their brains.

I value meaningful talk therapy as the foundation of my psychiatric treatment to teens. It is my goal to educate them on positive ways to maneuver through life. Over the course of weeks, months, or years we work together to discover how they can become self-aware, how they can say exactly what’s on their mind in any given situation, and how they can ride out the extremes of their negative thoughts, feelings, and impulses.

How they can keep it real so the don’t die.

I strive to be their keep it real coach. There is no better reward than to watch these teens learn to find their voices and be assertive. They become keep it real experts.

I also aim to be a keep it real author. I want to bring this powerful message to as many teens as I can. That is why I write YA novels the way I do—boiled down and raw.

In my office, teens who confide in me don’t speak in perfect prose when they share their innermost thoughts, feelings, impulses, and secrets. They might stumble on their words. They might not be able to find the right words. They might get straight to the point. They might ramble. They might swear. They might cry. They might scream. They might do a combination of all of that. So why would I write their stories in a pretty, elegant way? This is not to say these teens are not intelligent. They are. Some of them read at college level, take A.P. classes, and study hard. They know many big, fancy, SAT words. Those that don’t pursue academics to their full potential are still smart. But what I’ve found is that in the privacy of my office most teens prefer to talk in an informal manner rather than with refined formality. They choose to speak with their broken hearts.

It is with all this in mind that I wrote Rani Patel In Full Effect and the forthcoming Jaya and Rasa: A Love Story. I am excited for the world to meet Jaya and Rasa. They are blends of real patients I’ve had the privilege of treating (I must confess that there are also bits and pieces of me in Jaya!).

The way I write how Jaya experiences things in his life—such as private school, wealth, elitism, modern day Native Hawaiian oppression, lack of acceptance of his gender by his Gujarati Indian parents, bullying by his classmates, depression, self-blame for his parents’ fights, low self-worth, and the unconscious recreation of his parents’ relationships with Rasa—is how many of my patients describe their similar experiences.

The way I write how Rasa maintains a happy front while likening herself to a strong black widow spider is part of her response to trauma. It’s how she’s managed to survive her challenging circumstances. She’s learned to equate her body and sex as power and control over men who are actually abusing her. Under her black widow exterior is a vulnerable girl who hasn’t been given the chance to develop her self-worth or identity apart from being an object for others. She hasn’t had the luxury of a safe life in which her basic needs are met.

Neither Jaya nor Rasa have been taught or encouraged to become self-aware or speak their minds concerning their true thoughts, feelings, and impulses. So they’ve both stayed in their heads trying to survive their respective hardships. Their patterns of negative thoughts, feelings, and behaviors  become more and more ingrained as the years pass. That is, until they meet each other. The intense love that develops between them forces them to confront the flaws in their internalized ways of functioning in the world. They realize that they have to keep it real or they might die.


Check me out online!

Website: soniapatel.net

Instagram & Twitter: soniapatel808

Facebook: SoniaPatelAuthor

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Book Review: Orangeboy

Title: Orangeboy
Author: Patrice Lawrence
Genres: Contemporary
Pages: 432 pages
Publisher: Hodder Children’s Books
Review Copy: Purchased
Availability: Through Amazon UK

Summary: Sixteen-year-old Marlon has promised his widowed mum that he’ll be good, and nothing like his gang-leader brother Andre. It’s easy when you keep yourself to yourself, listening to your dead dad’s Earth, Wind and Fire albums and watching sci-fi. But everything changes when Marlon’s first date with the beautiful Sonya ends in tragedy; he becomes a hunted man and he has no idea why. With his dad dead and his brother helpless, Marlon has little choice but to enter Andre’s old world of guns, knives and drug runs in order to uncover the truth and protect those close to him. It’s time to fight to be the last man standing.

Review: I first heard of Patrice Lawrence’s award winning book through an article I received in an email. I saw that it was published only in the UK and since I was spending the summer in London, I made the decision to purchase the book. As the US exports more authors than we import, I was excited to read a YA book from a British author of color and to see the subtle differences between American and British culture. I was not disappointed. I had fun being able to have a visual reference to some of the locations mentioned in the book, and reveled in learning the differences in American and British colloquial language. For example, there was a character description that I was initially confused by. Marlon describes a character with “cane row” and at first I thought it was clothing. Then I realized he was describing hair style and when I googled “cane row” pictures of people with what us Americans call “corn row” came up. It’s these subtle differences that make reading a book from outside the US enjoyable and open us readers to new experiences.

The story itself was a bit slow to get started but once the mystery began to slowly reveal itself and Marlon worked to solve it, then the story really got going. Especially because Marlon made so many stupid mistakes – and I say that in the best way. Marlon is a great character because he is so out of his element in trying to solve the mystery of why he and his family is being harassed/threatened/stalked. He is a sweet hearted geeky kid who learned from his brother’s mistakes and made sure to stay out of trouble. Unfortunately trouble found him, but through it all he was adamant about standing up for himself and his family which made me really love him. However, it was also what made me so frustrated by him because he was way over his head and kept making dumb decisions as instead of getting help he chose to figure everything out on his own. I so wanted to scream at him “tell the police!”, but in reality he couldn’t trust the police either because they just saw him as the brother of a former gangster. Marlon truly was in a tough position and did the best he could with the knowledge he had which was very true to life and really made me connect with Marlon. He was the hero of his story but it wasn’t easy and Marlon had more losses than wins, but ultimately learns what he is capable of.

I have an issue with absent parents in YA, so I loved that Marlon’s mom was involved in his life, or rather at least tried to be. Their relationship was very typical mother/son as it was clear that they were close but with that tiny bit of strained because teenagers have the desire to keep things to themselves and are beginning to push boundaries. I also loved that his mom was a clear advocate for her son which showed the love she had for him and why Marlon wanted so badly to protect his mom in return. Even though his father had been dead a number of years, from an illness, us readers were given a sense of the relationship Marlon had with him as well and the loving relationship his parents had. I loved that Marlon was able to remember his parents relationship and how it shaped the person he became. Marlon also had a very strained relationship with his mother’s boyfriend, Jonathan, but it was clear that Jonathan was trying to help be a parent with Marlon’s mom, but also knew his boundaries. The parent/child dynamics that Lawrence wrote was very real and true to the novel.

Overall I really enjoyed Orangeboy and I want to read other books by Lawrence now (she actually has a new one out!). Additionally, I want to read books by other authors of color from across the pond, so if you know of any please share in the comments below.

Recommendation: Get It Now. FYI… Americans can order books from Amazon UK, yay!

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Review: One Shadow on the Wall

Once in a while we share reviews of books that are not strictly young adult. This is one of those times. One Shadow on the Wall is marketed as middle grade, but it is an excellent story for any age. This review was previously published on my personal blog Reading Through Life.

Title: One Shadow on the Wall
Author: Leah Henderson
Publisher: Atheneum Books for Young Readers
Pages: 438
Genre: Contemporary
Review Copy: Final copy via publisher
Availability: On shelves now

Summary: An orphaned boy in contemporary Senegal must decide between doing what is right and what is easy as he struggles to keep a promise he made to his dying father.

Eleven-year-old Mor was used to hearing his father’s voice, even if no one else could since his father’s death. It was comforting. It was also a reminder that Mor had made a promise to his father before he passed: keep your sisters safe. Keep the family together. But almost as soon as they are orphaned, that promise seems impossible to keep. With an aunt from the big city ready to separate him and his sisters as soon as she arrives, and a gang of boys from a nearby village wanting everything he has—including his spirit—Mor is tested in ways he never imagined.

With only the hot summer months to prove himself, Mor must face a choice. Does he listen to his father and keep his heart true, but risk breaking his promise through failure? Or is it easier to just join the Danka Boys, whom in all their maliciousness are at least loyal to their own?

Review: Mor and his family completely stole my heart. Mor hears his father and sees his mother after they have died. He knows his parents would want the children to stay together so he’s determined to do that at any cost. He tries. Oh, how he tries, but the responsibilities are tough. He learns so many things the hard way. Something will go right and then two things will go wrong. It is hard to see him face so many disappointments, but readers will be cheering him on all the way through. 

The gang is on his trail and brings about many of Mor’s difficulties. They also offer safety and protection though. Henderson does a particularly good job of showing how children and teens can get caught up in such a situation. The gang members are individuals and have stories. They have their reasons for having joined and readers see that gang activity may not be as clear-cut as one would imagine. I think there are gang members who never believed they would have anything to do with a gang and yet there they are.

It may not look like it on the surface, but this is a survival story. Mor has a loving community, but he does isolate himself with the secrets he is holding. There are many strong and caring adults that help Mor and his sisters. I appreciated seeing the way they looked out for the children. One in particular is an elder fisherman named Demba. Many of the children make fun of him and believe he is crazy. Mor spends a lot of time with Demba and learns that Demba’s differences are not what they appear. 

Recommendation: This is a fabulous book that may cause a little heartache, but it’s also heartwarming. Mor’s persistence and hope are lovely to behold. It’s a little long for a middle grade novel, but it moves quickly and is well worth the time. 

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