New Release

This is the week that The Edge of the Abyss is released. Check out Jessica’s review of the first book in the series – The Abyss Surrounds Us.

The Edge of the Abyss (The Abyss Surrounds Us #2) by Emily Skrutskie
Flux

Three weeks have passed since Cassandra Leung pledged her allegiance to the ruthless pirate-queen Santa Elena and set free Bao, the sea monster Reckoner she’d been forced to train. The days as a pirate trainee are long and grueling, but it’s not the physical pain that Cas dreads most. It’s being forced to work with Swift, the pirate girl who broke her heart.

But Cas has even bigger problems when she discovers that Bao is not the only monster swimming free. Other Reckoners illegally sold to pirates have escaped their captors and are taking the NeoPacific by storm, attacking ships at random and ruining the ocean ecosystem. As a Reckoner trainer, Cas might be the only one who can stop them. But how can she take up arms against creatures she used to care for and protect?

Will Cas embrace the murky morals that life as a pirate brings or perish in the dark waters of the NeoPacific?

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Review: The Bone Witch

Title: The Bone Witch
Author: Rin Chupeco
Genres: Fantasy
Pages: 400 pages
Publisher: Sourcebooks Fire
Review Copy: eARC received via NetGalley
Availability: Available now

Summary: The beast raged; it punctured the air with its spite. But the girl was fiercer.

Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human.

Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.

Review: I enjoyed Rin Chupeco’s first book, The Girl from the Well, and jumped at the chance to follow her into the fantasy genre. And while there were some good things about The Bone Witch (the heroine, her brother, lush descriptions, the whole idea of asha, and this specific type of magic), there were a lot of things that either weren’t or just didn’t work for me.

The heroine, Tea, is an engaging narrator, and the glimpses of her in the future, having changed radically from the girl we get to know during her asha training, is intriguing. I wanted a lot more progression on this front, but that’s where the structure of the book undercut itself. Between every chapter was a very short scene of the future, between Tea and an unnamed Bard, and these scenes either constantly killed the momentum of the past or set us up for excitement that took far too long to materialize. If the interruptions had been less frequent (and had been a more coherent narrative, not mostly Tea preparing to raise or raising creature after creature after creature), this might have worked; as it was, it became an irritating distraction, especially once it became obvious that the past Tea and the future Tea weren’t going to be any closer to each other in this book, attitude/philosophy-wise, than they were at the start of it. Having the Bard narrate the future segments felt like a deliberate choice to keep information from the reader (like who Tea’s dead love is and what her plans are for all the monsters) rather than the best choice for telling the story. I felt frustrated, not teased, throughout.

The thing that disappointed me most was the portrayal of the country Drycht. It’s obviously supposed to be the stereotypical conservative Muslim country analogue, what with a kingdom mostly of sand, a king with an “iron grip,” its women veiled, and its stance on gender roles. I cannot think of a single character in the book (aside from the Drycht envoy who is scandalized that Tea is wearing bold colors and must be calmed by being allowed to go on a rant about the shamelessness of women—and he is supposed to be “a progressive man in comparison [to his fellow countrymen]”!) who has anything good to say about the country or the people, aside from occasional praise of its trade goods.

This negative narrative isn’t subtle, either. The nameless Bard was “born in Drycht but was banished when [he] came of age for [his] freethinking ways.” While Farhi, one of the maids, has a name, she never actually speaks on the page (so far as I can remember) and always behaves negatively/distantly toward Tea. One of the heroine’s mentors says flat out “This is Kion, miladies, not Drycht. We are at an age where men and women stand together on equal footing, unlike our barbarian brothers to the south.” To top it off, there are two referenced honor killings: a dance performance “about a woman from Drycht to be executed for dishonoring her family when she fled with a disreputable lover” and a separate incident, where it is revealed that the girl the Bard loved unrequitedly was killed by her father for running away with a bricklayer. (This moment isn’t about this unnamed girl or the not-the-Bard!boy she loved at all, it is explicitly about Tea and the Bard. Because we make the tragic murder of a girl in love all about us, apparently.)

This negative portrayal is never pushed back against in the text, so it doesn’t appear to be a misguided attempt at having a prejudiced narrator. It is simply gross, disappointing, and makes me wonder what other red flags I may have missed in the mashup of other cultures in this fantasy world. I am interested in hearing from other readers and reviewers on this subject.

Recommendation: Just skip it. While there are some good ideas here, the constant interruptions from a future stranger are terribly distracting and hinder, more than help, the main narrative, and the Islamophobic content under the guise of a fantasy culture is not redeemable.

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Mini-review: America

Title: America
Author: Gabby Rivera
Artist: Joe Quinones
Publisher: Marvel
Review Copy: Purchased
Availability: On shelves now

Summary: 
At last! Everyone’s favorite no-nonsense powerhouse, America Chavez, gets her own series! Written by critically-acclaimed YA novelist Gabby Rivera (Juliet Takes A Breath) and drawn by all-star artist Joe Quinones (HOWARD THE DUCK), Marvel Comics’ brand new AMERICA series shines a solo spotlight on the high-octane and hard-hitting adventures of the one and only America Chavez! America has always been uncontestably awesome, and as the newly appointed leader of the Ultimates, she’s now officially claimed her place as the preeminent butt-kicker of the Marvel Universe! But while leading a team of heroes and punching out big bads is great and all, it doesn’t really leave much time for self-discovery… So what’s a super-powered teenager do when she’s looking for a little fulfillment? She goes to college!

Review: 
Last year I kept hearing about the fantastic debut novel Juliet Takes a Breath by Gabby Rivera. I finally read it earlier this year and loved Juliet. When I heard Marvel had asked Rivera to write about America Chavez, I knew I’d have to read it even though I didn’t grow up immersed in all things Marvel. A queer Latina with superpowers sounded beyond amazing.

With very little background knowledge, I expected to be confused, but since it was the first issue, readers get a brief explanation of America’s backstory. There’s a nice bit of superhero action in the beginning where we see America’s power and then some more intimate scenes to get a feel for America as a person before she heads off to college. I loved the campus map and the highlight of Sonia Sotomayor. What a college! A standout is the Department of Radical Women and Intergalactic Indigenous Peoples.

The artwork is fantastic and it was fun to get to know a bit about America’s personality in this first installment. As a newbie to comics, I’m not sure if they always leave you wanting more, but this one did. The first issue came off as an appetizer so I am definitely looking forward to the next issue which comes out next week.

Recommendation: Get it soon!

Extras:
Click here to see cool twitter video

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Comic Review: Niobe: She is Life

Title: Niobe: She is Life
Author: Amandla Stenberg, Sebastian A. Jones, Art by Ashley A. Woods
Genres:  Comic Book, Fantasy
Pages: 35 pages each
Publisher: Stranger Comics
Review Copy: Purchased
Availability: Available Now

Summary: “What becomes of the child who has lost her spirit?”

NIOBE: She is Life is a coming of age tale of love, betrayal, and ultimate sacrifice. Niobe Ayutami is an orphaned wild elf teenager and also the would-be savior of the vast and volatile fantasy world of Asunda. She is running from a past where the Devil himself would see her damned… toward an epic future that patiently waits for her to bind nations against the hordes of hell. The weight of prophecy is heavy upon her shoulders and the wolf is close on her heels.

Review: Before I get into my review, I have to say that the Niobe: She is Life series is the first ever comic book I have ever purchased. I’ve read graphic novel adaptations of books, but never a comic book series and I was unsure of what to expect. That being said, I wonder if some of my feeling of “incompleteness” has to do with the storytelling structure of comics, or with the series itself. Therefore, I’m glad that I chose to buy the entire 4 book series instead of just the first issue, as I got a deeper understanding of the story with each subsequent issue.

Niobe: She is Life drops the reader in the middle of the story as Niobe is literally running for her life. We gather that she’s running away from her father, and that she wants to kill him, but we don’t know why. Intriguing way to start a story, definitely, with the hope that the rest of the series will fill in the blanks. It somewhat does, but also introduces some ideas that make the story a bit confusing. The comic takes place in a fantasy world called Asunda that is filled with all sorts of different humanoid species such as elves, dwarfs, orcs, mythological beings, and gods and goddesses. I was unsure how all the beings related to each other in the world as there was clearly tension between the young men of the monastery that Niobe finds herself in, however the series did hint at some war between the Orcs and the Elves that I wasn’t too sure was over or was still being fought, and this monastery was some sort of oasis for young people without a home. I feel like I would have love to receive a bit more world-building to the series to fully understand the mythology of the world, the different civilizations/peoples that exist in the world and how they all coexist amongst each other. Niobe is often called “She tribe” and aside from her being a young woman, I wasn’t exactly too sure why the young men called her that. Is that how all Elvish young women are called? Small details such as that, which I can understand might be hard to do in a comic series, would have helped with my enjoyment of the series. All of that said, I still did enjoy the series. The writing and storytelling got stronger with each subsequent issue and by the end I was truly rooting for Niobe.

Niobe is a quiet, but headstrong character who is discovering who she really is and what role she plays in the world. Because of her lineage, she is half-Elvish half something to be determined, she hated but at the same time feared. She is willing to stand up for what is right and is a fierce warrior. When Niobe finally accepts her destiny and gives in to her power, it is truly a great moment with a wonderful unexpected twist that I as totally here for. I loved seeing the main character, a woman of color, fully become and own being the hero to save the day. She is a character that fantasy comics so desperately needed so I’m glad that Stranger Comics decided to publish this series.

Lastly, I must mention the artwork..it is absolutely stunning. The colors are bright and rich which visually brings the world of Asunda to life. Not only is Niobe an intriguing story, the series is also a work of art. Ashley A Woods whose depictions of all the different types of people, their costumes, the animals, the deities, etc, are so detailed and beautiful that it makes the world very real. Woods artwork gives Asunda a mystical quality, almost, as there are many scenes where her brush strokes makes the reader feel as if we are looking at an old world before time.

Recommendation: Overall I enjoyed the series and am looking forward to the sequel that is to come. I will definitely by the next series. And if you want to support WofC authors and artists creating powerful heroines, then go out and buy this comic (buy all 4 issues!)

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Review: Octavia E. Butler’s Kindred: A Graphic Novel Adaptation

Title: Octavia E. Butler’s Kindred: A Graphic Novel Adaptation
Author: Octavia E. Butler, Adapter Damian Duffy, Artist John Jennings
Genres: Graphic Novel, Fantasy, Science Fiction, Historical
Pages: 240
Publisher: Abrams Comicarts
Availability: On shelves now

Summary:  More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.

Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him.

Held up as an essential work in feminist, science-fiction, and fantasy genres, and a cornerstone of the Afrofuturism movement, there are over 500,000 copies of Kindred in print. The intersectionality of race, history, and the treatment of women addressed within the original work remain critical topics in contemporary dialogue, both in the classroom and in the public sphere.

Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.

Review: Kindred is not generally tagged as young adult, but it will likely be a cross-over title and it was one I wanted to read for our focus on women in graphic novels this month. Dana, the main character, has just turned twenty-six when the main action begins so it’s not about teens, but Dana’s a young woman and is interacting with a variety of young people. It’s a book that deals with slavery through the eyes of a relatively contemporary person and it shows aspects of slavery and racism through multiple perspectives. Dana’s beliefs about slavery are challenged as she lives among enslaved people. Things are not as clear-cut as she had thought. Dana learns about what she’s willing to do to survive and finds herself doing things that go against her ideals.

This book also deals with interracial relationships. The relationship Dana has with her white husband is simply incomprehensible to the people on the southern plantation 30+ years before the Civil War. A white man using the body of a black woman is accepted, or at least ignored by whites, but a white man loving a black woman is somehow shameful. Even in the 1970s, Dana and Kevin’s marriage isn’t fully accepted by some of their own family members. This issue, among many many others, highlights the fact that slavery affected everyone involved and those effects lasted throughout generations.

In some ways, the graphic aspect of this adaptation added to the original story. The visuals keep the pacing quick and definitely bring the action to life. Some of the scenes are extremely painful to see and increase the emotional impact of the events and interactions. In other ways though, this format wasn’t quite as powerful as the novel. For this to work, the text had to be streamlined and while the overall story line remained intact and the main ideas are all there, some of the more subtle aspects were missing or just not as clear. I was glad I’d read both so my brain could fill in some of the blanks. For those who have never read Butler’s works before, this would be a great introduction that would likely lead readers to want more. Those familiar with Kindred will probably enjoy the adaptation, but may find it lacking a little of the depth.

Recommendation: Get it soon. This graphic novel adaptation is one more way to experience an amazingly powerful story from Octavia Butler.

Extra:
Interview with John Jennings & Damian Duffy

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Interview with S. Jae-Jones

The tail end of winter is just about as perfect as any time to welcome the new YA fantasy Wintersong, available now! Today, we welcome author S. Jae-Jones  (@sjaejones) to Rich in Color to talk about her debut book and more. Check out the interview below, and enter her giveaway for a copy of Wintersong!

The moment I read Wintersong’s synopsis, I was all about it: Sisters being there for each other, everything at stake, and otherworldy romance. What made you decide to write this specific story?  
We like to mythologize origin stories—we like to think that there’s a flash of inspiration, or an entire story that comes to us in a dream. The honest truth is, Wintersong is an amalgamation of things that interest me: music, Mozart, Germanic fairy tales, the Erl-king myth, underworld stories, the movie Labyrinth, the poetry of Christina Rossetti, etc. At the same time, in many ways, the book came to me fully formed: Liesl just…showed up with two siblings, a mother, father, and irascible grandmother in tow. Writing the first draft of Wintersong was almost a journey of discovery—I was racing to finish in order to figure out what happens to Liesl, pulling all my influences in along the way.

Do you see anything of yourself in the heroine of Wintersong, Liesl, or any of the other characters? What were your main influences for the characters and story?
I’ve disclosed in my newsletter that there is a little bit of me in every character I write, but what I gave to Liesl were two things: my creative process, and my bipolar disorder. I think personality-wise, I’m the most like Käthe, Liesl’s sister. Like her, I’m shallow, frivolous, and vain, but also loyal. The character I love best is Thistle, a prickly goblin girl, who indulges in all the petty impulses I cannot.

According to your blog, Wintersong was your Nanowrimo project. Did you find it easy or hard to write Wintersong? Do you still do Nanowrimo?
I found it easy to write Wintersong, so easy that I find it incredibly suspicious. While I can write a decent number of words per day, I’m not a particularly fast writer, and the speed at which I wrote a first draft of Wintersong still astounds me. I wrote the first draft (100,000 words) in 59 days. Yet despite this, Wintersong was also hard to write in the same way all my other books are hard to write: I’m a pantser, which means I’m unable to see the big picture until I finish a draft. And because I’m a pantser, I’m never sure if I’m going to be able to finish a draft at all because I have no idea what I’m doing or where I’m going. I still do NaNoWriMo, but I am embarrassed to admit that the year I “won” for Wintersong remains the only year I’ve ever won.

If you had to name a theme song for Wintersong, what would it be?
Oh man, I have so many songs on several different playlists, but I suppose Coming Down by Halsey. It’s a little on the nose, perhaps, but appropriate.

Are you working on any new projects (new books, poetry, short stories)?
I am currently working on the sequel to Wintersong, which will be out in 2018. I am always writing something, but whether or not they’ll see the light of day remains to be seen.

Exciting! Finally, read any good books lately? And are there any upcoming new books that you’re excited about?
I read a collection of short stories by Ted Chiang over the holidays, which were amazing. His story “The Story of Your Life” was made into the film Arrival (which I also loved), and it’s thoughtful, beautiful, and heartbreaking. I’m not actually much for short stories at all, but I loved, loved, loved them all.

There are so many books I’m looking forward in 2017, it would be impossible to name them all! I’m super excited for Done Dirt Cheap by Sarah Lemon and A Crown of Wishes by Roshani Chokshi, both of which I’ve read and think y’all will love.

Enter the giveaway below for a copy of Wintersong! The giveaway ends February 21st, and is open to USA mailing addresses. See terms and conditions for further details.

Wintersong by S. Jae-Jones

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