Title: America Author:Gabby Rivera Artist: Joe Quinones Publisher: Marvel Review Copy: Purchased Availability: On shelves now
Summary: At last! Everyone’s favorite no-nonsense powerhouse, America Chavez, gets her own series! Written by critically-acclaimed YA novelist Gabby Rivera (Juliet Takes A Breath) and drawn by all-star artist Joe Quinones (HOWARD THE DUCK), Marvel Comics’ brand new AMERICA series shines a solo spotlight on the high-octane and hard-hitting adventures of the one and only America Chavez! America has always been uncontestably awesome, and as the newly appointed leader of the Ultimates, she’s now officially claimed her place as the preeminent butt-kicker of the Marvel Universe! But while leading a team of heroes and punching out big bads is great and all, it doesn’t really leave much time for self-discovery… So what’s a super-powered teenager do when she’s looking for a little fulfillment? She goes to college!
Review: Last year I kept hearing about the fantastic debut novel Juliet Takes a Breath by Gabby Rivera. I finally read it earlier this year and loved Juliet. When I heard Marvel had asked Rivera to write about America Chavez, I knew I’d have to read it even though I didn’t grow up immersed in all things Marvel. A queer Latina with superpowers sounded beyond amazing.
With very little background knowledge, I expected to be confused, but since it was the first issue, readers get a brief explanation of America’s backstory. There’s a nice bit of superhero action in the beginning where we see America’s power and then some more intimate scenes to get a feel for America as a person before she heads off to college. I loved the campus map and the highlight of Sonia Sotomayor. What a college! A standout is the Department of Radical Women and Intergalactic Indigenous Peoples.
The artwork is fantastic and it was fun to get to know a bit about America’s personality in this first installment. As a newbie to comics, I’m not sure if they always leave you wanting more, but this one did. The first issue came off as an appetizer so I am definitely looking forward to the next issue which comes out next week.
Title: Niobe: She is Life Author: Amandla Stenberg, Sebastian A. Jones, Art by Ashley A. Woods Genres: Comic Book, Fantasy Pages: 35 pages each Publisher: Stranger Comics Review Copy: Purchased Availability: Available Now
Summary: “What becomes of the child who has lost her spirit?”
NIOBE: She is Life is a coming of age tale of love, betrayal, and ultimate sacrifice. Niobe Ayutami is an orphaned wild elf teenager and also the would-be savior of the vast and volatile fantasy world of Asunda. She is running from a past where the Devil himself would see her damned… toward an epic future that patiently waits for her to bind nations against the hordes of hell. The weight of prophecy is heavy upon her shoulders and the wolf is close on her heels.
Review: Before I get into my review, I have to say that the Niobe: She is Life series is the first ever comic book I have ever purchased. I’ve read graphic novel adaptations of books, but never a comic book series and I was unsure of what to expect. That being said, I wonder if some of my feeling of “incompleteness” has to do with the storytelling structure of comics, or with the series itself. Therefore, I’m glad that I chose to buy the entire 4 book series instead of just the first issue, as I got a deeper understanding of the story with each subsequent issue.
Niobe: She is Life drops the reader in the middle of the story as Niobe is literally running for her life. We gather that she’s running away from her father, and that she wants to kill him, but we don’t know why. Intriguing way to start a story, definitely, with the hope that the rest of the series will fill in the blanks. It somewhat does, but also introduces some ideas that make the story a bit confusing. The comic takes place in a fantasy world called Asunda that is filled with all sorts of different humanoid species such as elves, dwarfs, orcs, mythological beings, and gods and goddesses. I was unsure how all the beings related to each other in the world as there was clearly tension between the young men of the monastery that Niobe finds herself in, however the series did hint at some war between the Orcs and the Elves that I wasn’t too sure was over or was still being fought, and this monastery was some sort of oasis for young people without a home. I feel like I would have love to receive a bit more world-building to the series to fully understand the mythology of the world, the different civilizations/peoples that exist in the world and how they all coexist amongst each other. Niobe is often called “She tribe” and aside from her being a young woman, I wasn’t exactly too sure why the young men called her that. Is that how all Elvish young women are called? Small details such as that, which I can understand might be hard to do in a comic series, would have helped with my enjoyment of the series. All of that said, I still did enjoy the series. The writing and storytelling got stronger with each subsequent issue and by the end I was truly rooting for Niobe.
Niobe is a quiet, but headstrong character who is discovering who she really is and what role she plays in the world. Because of her lineage, she is half-Elvish half something to be determined, she hated but at the same time feared. She is willing to stand up for what is right and is a fierce warrior. When Niobe finally accepts her destiny and gives in to her power, it is truly a great moment with a wonderful unexpected twist that I as totally here for. I loved seeing the main character, a woman of color, fully become and own being the hero to save the day. She is a character that fantasy comics so desperately needed so I’m glad that Stranger Comics decided to publish this series.
Lastly, I must mention the artwork..it is absolutely stunning. The colors are bright and rich which visually brings the world of Asunda to life. Not only is Niobe an intriguing story, the series is also a work of art. Ashley A Woods whose depictions of all the different types of people, their costumes, the animals, the deities, etc, are so detailed and beautiful that it makes the world very real. Woods artwork gives Asunda a mystical quality, almost, as there are many scenes where her brush strokes makes the reader feel as if we are looking at an old world before time.
Recommendation: Overall I enjoyed the series and am looking forward to the sequel that is to come. I will definitely by the next series. And if you want to support WofC authors and artists creating powerful heroines, then go out and buy this comic (buy all 4 issues!)
Summary: More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century.
Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him.
Held up as an essential work in feminist, science-fiction, and fantasy genres, and a cornerstone of the Afrofuturism movement, there are over 500,000 copies of Kindred in print. The intersectionality of race, history, and the treatment of women addressed within the original work remain critical topics in contemporary dialogue, both in the classroom and in the public sphere.
Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers.
Review: Kindred is not generally tagged as young adult, but it will likely be a cross-over title and it was one I wanted to read for our focus on women in graphic novels this month. Dana, the main character, has just turned twenty-six when the main action begins so it’s not about teens, but Dana’s a young woman and is interacting with a variety of young people. It’s a book that deals with slavery through the eyes of a relatively contemporary person and it shows aspects of slavery and racism through multiple perspectives. Dana’s beliefs about slavery are challenged as she lives among enslaved people. Things are not as clear-cut as she had thought. Dana learns about what she’s willing to do to survive and finds herself doing things that go against her ideals.
This book also deals with interracial relationships. The relationship Dana has with her white husband is simply incomprehensible to the people on the southern plantation 30+ years before the Civil War. A white man using the body of a black woman is accepted, or at least ignored by whites, but a white man loving a black woman is somehow shameful. Even in the 1970s, Dana and Kevin’s marriage isn’t fully accepted by some of their own family members. This issue, among many many others, highlights the fact that slavery affected everyone involved and those effects lasted throughout generations.
In some ways, the graphic aspect of this adaptation added to the original story. The visuals keep the pacing quick and definitely bring the action to life. Some of the scenes are extremely painful to see and increase the emotional impact of the events and interactions. In other ways though, this format wasn’t quite as powerful as the novel. For this to work, the text had to be streamlined and while the overall story line remained intact and the main ideas are all there, some of the more subtle aspects were missing or just not as clear. I was glad I’d read both so my brain could fill in some of the blanks. For those who have never read Butler’s works before, this would be a great introduction that would likely lead readers to want more. Those familiar with Kindred will probably enjoy the adaptation, but may find it lacking a little of the depth.
Recommendation: Get it soon. This graphic novel adaptation is one more way to experience an amazingly powerful story from Octavia Butler.
The tail end of winter is just about as perfect as any time to welcome the new YA fantasy Wintersong, available now! Today, we welcome author S. Jae-Jones (@sjaejones) to Rich in Color to talk about her debut book and more. Check out the interview below, and enter her giveaway for a copy of Wintersong!
The moment I read Wintersong’s synopsis, I was all about it: Sisters being there for each other, everything at stake, and otherworldy romance. What made you decide to write this specific story?
We like to mythologize origin stories—we like to think that there’s a flash of inspiration, or an entire story that comes to us in a dream. The honest truth is, Wintersong is an amalgamation of things that interest me: music, Mozart, Germanic fairy tales, the Erl-king myth, underworld stories, the movie Labyrinth, the poetry of Christina Rossetti, etc. At the same time, in many ways, the book came to me fully formed: Liesl just…showed up with two siblings, a mother, father, and irascible grandmother in tow. Writing the first draft of Wintersong was almost a journey of discovery—I was racing to finish in order to figure out what happens to Liesl, pulling all my influences in along the way.
Do you see anything of yourself in the heroine of Wintersong, Liesl, or any of the other characters? What were your main influences for the characters and story?
I’ve disclosed in my newsletter that there is a little bit of me in every character I write, but what I gave to Liesl were two things: my creative process, and my bipolar disorder. I think personality-wise, I’m the most like Käthe, Liesl’s sister. Like her, I’m shallow, frivolous, and vain, but also loyal. The character I love best is Thistle, a prickly goblin girl, who indulges in all the petty impulses I cannot.
According to your blog, Wintersong was your Nanowrimo project. Did you find it easy or hard to write Wintersong? Do you still do Nanowrimo?
I found it easy to write Wintersong, so easy that I find it incredibly suspicious. While I can write a decent number of words per day, I’m not a particularly fast writer, and the speed at which I wrote a first draft of Wintersong still astounds me. I wrote the first draft (100,000 words) in 59 days. Yet despite this, Wintersong was also hard to write in the same way all my other books are hard to write: I’m a pantser, which means I’m unable to see the big picture until I finish a draft. And because I’m a pantser, I’m never sure if I’m going to be able to finish a draft at all because I have no idea what I’m doing or where I’m going. I still do NaNoWriMo, but I am embarrassed to admit that the year I “won” for Wintersong remains the only year I’ve ever won.
If you had to name a theme song for Wintersong, what would it be?
Oh man, I have so many songs on several different playlists, but I suppose Coming Down by Halsey. It’s a little on the nose, perhaps, but appropriate.
Are you working on any new projects (new books, poetry, short stories)?
I am currently working on the sequel to Wintersong, which will be out in 2018. I am always writing something, but whether or not they’ll see the light of day remains to be seen.
Exciting! Finally, read any good books lately? And are there any upcoming new books that you’re excited about?
I read a collection of short stories by Ted Chiang over the holidays, which were amazing. His story “The Story of Your Life” was made into the film Arrival (which I also loved), and it’s thoughtful, beautiful, and heartbreaking. I’m not actually much for short stories at all, but I loved, loved, loved them all.
There are so many books I’m looking forward in 2017, it would be impossible to name them all! I’m super excited for Done Dirt Cheap by Sarah Lemon and A Crown of Wishes by Roshani Chokshi, both of which I’ve read and think y’all will love.
Enter the giveaway below for a copy of Wintersong! The giveaway ends February 21st, and is open to USA mailing addresses. See terms and conditions for further details.
Title: Poison’s Kiss Author: Breeana Shields Genres: Fantasy Pages: 300 Publisher: Random House Review Copy: Purchased from B&N Availability: Available Now
Summary: Marinda has kissed dozens of boys. They all die afterward. It’s a miserable life, but being a visha kanya, a poison maiden, is what she was created to do. Marinda serves the Raja by dispatching his enemies with only her lips as a weapon.
Until now, the men she was ordered to kiss have been strangers, enemies of the kingdom. Then she receives orders to kiss Deven, a boy she knows too well to be convinced he needs to die. She begins to question who she s really working for. And that is a thread that, once pulled, will unravel more than she can afford to lose.
This rich, surprising, and accessible debut is based in Indian folklore and delivers a story that will keep readers on the edge of their seats.
Review: I was a little hesitant to read and review Breeana Shield’s debut novel because I’ve been in a #ownvoices kind of reading mood since that cold day in Nov. but since the book I really wanted was not at the store, I chose this Poison’s Kiss. The premise was intriguing and fantastical, which appealed to me because I love nothing more to get lost in a fictional world that is so unlike my own. And while I did read the book quickly and got caught up in the story, I was left with wanting more. I couldn’t figure out what it was and then it hit me…the world building of the story could have been better.
While I don’t know much about Indian folklore so I’ll leave that critique to someone smarter than me as to how well Shield’s incorporated mythology and folklore into her novel, I do know about world building and where I find the story lacking. One of the aspects of the story that continually drove me crazy was establishing a time and place for the novel. The world that Marinda lives in, Sundari, is very different than our own, but I was somewhat confused as to the time period the novel took place. It seemed to be a mix of modern society and an pre-industrial society. For example, uses some modern sayings that don’t quite fit into the world Shield’s established. I feel like Shields couldn’t decide between being inspired by ancient and modern India so she combined the two, but it ended up being confusing because modern India is such a dynamic country and quite different than a colonized idea of India of old. I’m also a bit of a geography nerd when it comes to my entertainment, so when an author establishes that a city is two days travel for two characters, but then the characters make it back in a matter of hours, I get twitchy. I feel Shields does spend an significant amount of time establishing the mythology of Sundari and the beliefs of the people, which was really well done. I could see where her inspiration from Indian folklore blended into a mythology and folklore of her own making.
In her author notes, Shields states that she wanted to explore the idea of making a child an assassin, essentially taking away their choice for what they’d like their life to be, and that theme is perfectly explored here. Marinda is kept ignorant of who she works for and why, as well as other aspects of being a visa kanya and Poison’s Kiss is all about her awakening. While the impetus for her to start searching is her becoming “friends” with Deven, I feel like her search for self was beginning before she ever met him. Marinda is unhappy and filled with guilt over killing boys and young men, but does it out of love for her brother. She knows she is being manipulated but doesn’t see a way out. Her interaction with Deven is what actually makes her take action because he is the first person, aside from her brother, to show her kindness. I feel like this theme of ignorance trapping a person is wonderful metaphor for American’s current state of affairs. When one is kept in ignorance, the powers that be, and in Marinda’s case it is her handler Gopal, can convince people of anything. It is when one decides to search for their own answers that one becomes free. And Poison’s Kiss is ultimately about a girl who actively works toward getting her freedom.
Recommendation: Despite it’s flaws, Poison’s Kiss was an entertaining read, and I intend to read the sequel.
I read quite a few books this year so choosing just a few is difficult. There were several historical fiction books that really made an impact on me.
Burn Baby Burn by Meg Medina Candlewick Press My review
Nora Lopez is seventeen during the infamous year 1977 in New York.
After a freezing winter, a boiling hot summer explodes with arson, a blackout, and a serial killer named Son of Sam, who is shooting young people on the streets seemingly at random.
Not only is the city a disaster, but Nora has troubles of her own: her brother, Hector, is growing more uncontrollable by the day, her mother is helpless to stop him, and her father is so busy with his new family that he only calls on holidays.
And it doesn’t stop there. The super’s after her mother to pay their overdue rent, and her teachers are pushing her to apply for college, but all Nora wants is to turn eighteen and be on her own. There is a cute guy who started working with her at the deli, but is dating even worth the risk when the killer especially likes picking off couples who stay out too late?
Outrun the Moon by Stacey Lee G.P. Putnam’s Sons My review
San Francisco, 1906: Fifteen-year-old Mercy Wong is determined to break from the poverty in Chinatown, and an education at St. Clare’s School for Girls is her best hope. Although St. Clare’s is off-limits to all but the wealthiest white girls, Mercy gains admittance through a mix of cunning and a little bribery, only to discover that getting in was the easiest part. Not to be undone by a bunch of spoiled heiresses, Mercy stands strong—until disaster strikes.
On April 18, an historic earthquake rocks San Francisco, destroying Mercy’s home and school. With martial law in effect, she is forced to wait with her classmates for their families in a temporary park encampment. Mercy can’t sit by while they wait for the Army to bring help. Fires might rage, and the city may be in shambles, yet Mercy still has the ‘bossy’ cheeks that mark her as someone who gets things done. But what can one teenaged girl do to heal so many suffering in her broken city?
Shame the Stars by Guadalupe Garcia McCall Tu Books My review
Eighteen-year-old Joaquín del Toro’s future looks bright. With his older brother in the priesthood, he’s set to inherit his family’s Texas ranch. He’s in love with Dulceña—and she’s in love with him. But it’s 1915, and trouble has been brewing along the US-Mexico border. On one side, the Mexican Revolution is taking hold; on the other, Texas Rangers fight Tejano insurgents, and ordinary citizens are caught in the middle.
As tensions grow, Joaquín is torn away from Dulceña, whose father’s critical reporting on the Rangers in the local newspaper has driven a wedge between their families. Joaquín’s own father insists that the Rangers are their friends, and refuses to take sides in the conflict. But when their family ranch becomes a target, Joaquín must decide how he will stand up for what’s right.
Shame the Stars is a rich reimagining of Romeo and Juliet set in Texas during the explosive years of Mexico’s revolution. Filled with period detail, captivating romance, and political intrigue, it brings Shakespeare’s classic to life in an entirely new way.
My favorite fantasy –
Labyrinth Lost (Brooklyn Brujas #1) by Zoraida Córdova Sourcebooks Fire My review
Nothing says Happy Birthday like summoning the spirits of your dead relatives.
Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo boy she can’t trust. A boy whose intentions are as dark as the strange marks on his skin.
The only way to get her family back is to travel with Nova to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland…
Natasha: I’m a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is twelve hours away from being deported to Jamaica. Falling in love with him won’t be my story.
Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that. Something about Natasha makes me think that fate has something much more extraordinary in store—for both of us.
The Universe: Every moment in our lives has brought us to this single moment. A million futures lie before us. Which one will come true?
Produced by AH Comics Inc. (Titan: An Alternate History, Delta, Hobson’s Gate, Jewish Comix Anthology) and edited by Hope Nicholson (Brok Windsor, Lost Heroes, Nelvana of the Northern Lights), MOONSHOT brings together dozens of creators from across North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling.
From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work in North America. The traditional stories presented in the book are with the permission from the elders in their respective communities, making this a truly genuine, never-before-seen publication. MOONSHOT is an incredible collection that is sure to amaze, intrigue and entertain!
Finally, it isn’t labeled YA, but I just had to include this book because it was flat out amazing and a good portion of the book is a coming of age story. I think that many YA readers will be grabbing this one.
Running into a long-ago friend sets memories from the 1970s in motion for August, transporting her to a time and a place where friendship was everything—until it wasn’t. For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant—a part of a future that belonged to them.
But beneath the hopeful veneer, there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where ghosts haunted the night, where mothers disappeared. A world where madness was just a sunset away and fathers found hope in religion.