Title: #NotYourPrincess
Editors: Lisa Charleyboy & Mary Beth Leatherdale
Publisher: Annick Press
Genre: Nonfiction collection
Pages: 109
Availability: October
Review copy: Final copy provided by publisher
Summary: Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous girls and women across North America resound in this book. In the same visual style as the bestselling Dreaming in Indian, #NotYourPrincess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, intergenerational trauma, and stereotyping are countered by the voices of passionate women demanding change and realizing their dreams. Sometimes outraged, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have had their history hidden and whose modern lives have been virtually invisible.
Review: #NotYourPrincess is another fabulous collection brought to us by Lisa Charleyboy and Mary Beth Leatherdale. The magic of the book is that the many voices are seen and heard through a wide variety of formats with the design of the book framing the pieces beautifully. In most cases artwork compliments the texts and the words provide context for the artwork. There are images on nearly every spread and it’s a magnificent visual experience.
The stories shared both visually and in text reveal what it means to these women to be Native. They share challenges, triumphs, losses, hopes, family ties and so much more. These are stories that acknowledge the pain of the past, but also point to strength, resilience, and hope for the future. In the essay “Reclaiming Indigenous Women’s Rights,” Nahanni Fontaine (Anishinaabe) explains it this way, “When we begin to understand the colonial legacy and its collateral damage to the minds and bodies of Indigenous women, we can begin to forgive, accept, and heal ourselves from the countless hurtful, damaging ways in which this trauma manifests itself.”
These stories do not ignore the past, but they are very much stories of the present and the future. The many voices sound out against the stereotypes that often prevent people from seeing and recognizing Native women. The women ask to be seen as they are – not as they are expected to be. This is especially obvious in “A Conversation with a Massage Thereapist” by Francine Cunningham (Cree/Métis). The questions the massage therapist asks reveal much about biases people can have. The therapist asks, “What are you?” Indigenous and Cree are answers, but they are pretty much discounted as the therapist responds with, “You don’t really look it.” After learning that the person was raised in the city, “Oh, well, I guess you’re not a real one then?” It doesn’t take long to realize this person has completely succumbed to stereotypes. In “The Invisible Indians,” white-faced, red-haired Shelby LIsk (Mohawk) writes about a similar point of view. “They want fantastical stories of the Indians that used to roam this land. They want my culture behind glass in a museum. But they don’t want me. I’m not Indian enough.”
There are also many examples of confident young women who are using their strengths. We see young women like AnnaLee Rain Yellowhammer (Hunkapapa, Standing Rock Sioux) who are demanding to be heard. She’s an activist fighting the Dakota Access Pipeline and has been raising her voice loud and clear in defense of the land, water, and her tribe.
Lisa Charleyboy describes this as a “love letter to all young Indigenous women trying to find their way.” This is an excellent description. Readers will find love and encouragement here on every page.
Recomendation: #NotYourPrincess should be available in all young adult collections. Get it as soon as it’s available.
Extras:
Excerpt available here
