Interview with Kat Zhang + Giveaway

Everyone, please welcome Kat Zhang to Rich in Color! Kat is an author of young adult, middle grade, and pictures books. Her newest book, THE EMPEROR’S RIDDLE, came out just a little while ago:

Mia Chen is on what her mother calls a Grand Adventure. She’s not sure what to make of this family trip to China, and didn’t want to leave her friends for the summer, but she’s excited about the prospect of exploring with her Aunt Lin, the only adult who truly understands her.

Then Aunt Lin disappears, right after her old nemesis, a man named Ying, comes to visit. Mia knows that years ago, when Aunt Lin and Ying were sent to the Fuzhou countryside to work as laborers, the two searched for an ancient treasure together–one that still hasn’t been found. She’s suspicious that their shared history might be linked to Aunt Lin’s disappearance.

When Mia discovers an old map filled with riddles in Aunt Lin’s room, she quickly pieces together her mission: find the treasure, find her aunt. Now, Mia, along with her big brother, Jake, must solve the clues to rescue the person she knows best in the world—and maybe unearth a treasure greater than her wildest dreams.

We’re excited to have Kat stop by and to ask her questions about THE EMPEROR’S RIDDLE. Once you’ve finished reading the interview, be sure to enter the giveaway for a copy of the book!


Tell us more about the development of Mia. What do you hope she means to readers?

First off, thanks of much for having me on Rich In Color! I’m so happy to be here talking about THE EMPEROR’S RIDDLE 🙂

As for Mia–it’s always hard for me to talk about “developing” my characters, because it usually feels like they’re revealing themselves to me, rather than being characters that I have to make up. From the first few pages of the first draft, I knew that Mia was going to be a dreamer, a lover of history and fantasy, someone with her head up in the clouds. I knew, too, that as much as she liked these things about herself, they also made her feel inadequate next to her high-achieving mother and older brother. The rest of Mia’s quirks and traits built from these core elements of her personality.

I think there are a lot of kids like Mia, but the world eventually pushes them to change, to be more sensible and realistic and “Adult.” Of course some growing up is inevitable, and maturity is important–but I hope readers of RIDDLE find some encouragement in how it’s Mia’s fantastical, dreamer nature that helps her solve problems no one else can.

Why did you decide to write a family-based story? What importance does family have in the book?

I set RIDDLE during a family trip to China in part because similar trips were a cornerstone of my own childhood. Those summers were all about family for me–not only was I spending a whole lot of time with my parents, but I was seeing all this extended family that I usually didn’t interact with at all. And that’s on top of all the stories about my parents I’d hear, all the old pictures and places I got to see.

Considering the roots of the story, it only made sense to bind RIDDLE with themes of family and belonging. Underneath the treasure-hunt plot, RIDDLE is at its heart a story about Mia coming to terms with the various members of her family, and discovering new aspects of them she never appreciated before.

What was your research process like for the legend and cultural/historical landmarks in The Emperor’s Riddle? Tell us about some of your favorite discoveries.

The research for each of the riddle/clue landmarks was actually pretty extensive, but also a lot of fun! I wanted to make sure I touched on a variety of places, but also used places that were old enough to have realistically been around back when the riddle was created.

My mother is actually from the Fuzhou area originally, so I’m pretty excited about actually visiting these locales in the future. I’d especially like to see the “Three Lanes and Seven Alleys” area Mia and her family visits. It seems really neat!

What have been the most challenging aspects of writing The Emperor’s Riddle? The most rewarding?

The logistics of the riddle was probably the trickiest part–just making sure that everything came together correctly, and stayed as historically accurate as possible, while still being exciting and fun. It was incredibly rewarding for me to get to delve into Mia’s travels, the cool things she sees, and to hear that readers have had fun taking this journey around Fuzhou with her.

I see that you have another middle grade book and a picture book on the horizon. What can you tell us about them? Are there any other projects you’re working on right now?

Yes! My next middle grade is called THE MEMORY OF FORGOTTEN THINGS. It’s about a girl named Sophia, whose mother died when she was six years old. However, that’s not how she remembers it–not always. You see, even after her mother’s death, Sophia kept accruing new “Memories” of her mother, memories of things that never actually happened… Now she’s on a quest to make these “Memories” come true, to change the fabric of her world so her mother never died.

AMY WU & THE PERFECT BAO is my first picture book, and it’s about a little girl on a quest to make the world’s most perfect bao 😉

I’m incredibly excited for them both!

What 2017 books by or about people of color or people from First/Native Nations are you looking forward to reading? Which ones would you recommend to our followers?

I recently got copies of two other books my editor worked on this past year: WHEN DIMPLE MET RISHI and AMINA’S VOICE. I haven’t gotten the chance to read them yet, unfortunately–the last few months have been pretty hectic–but I’ve heard really great things!

Is there anything else you would like to tell us about The Emperor’s Riddle or your other work?

Only that I’m so thrilled they’re going to be out there, and I really hope they give kids the chance to see him or herself reflected in the novels they read.


Kat Zhang spent most of her childhood tramping through a world weaved from her favorite stories and games. When she and her best friend weren’t riding magic horses or talking to trees, they were writing adaptations of plays for their stuffed animals (what would The Wizard of Oz have been like if the Cowardly Lion were replaced by a Loquacious Lamb?). This may or may not explain many of Kat’s quirks today.

You can reach her at www.katzhangwriter.com, @KatZhang (twitter), or @KatZhangWriter (instagram).


Kat has generously offered a copy of THE EMPEROR’S RIDDLE to one of our readers! Enter the giveaway by using the Rafflecopter widget below. The giveaway is only open to people with U.S. mailing addresses. It will end at midnight Eastern time on July 17th.

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Kwame Alexander and Solo

Though the title is Solo, this book was not created in isolation. Kwame Alexander and Mary Rand Hess worked together to craft the poetry. In addition, Randy Preston added his musical talent in the creation of the songs that are included in the text. The songs may also be heard on the audio version of the book.

Kwame Alexander and Mary Rand Hess during the Q & A session.

Last month, Alexander, Hess, and Preston shared about their creative journey and also read and sang portions of the book at a launch party in Chicago. When asked about how they worked on the poetry together, Alexander described a somewhat messy process. At times they alternated scenes, but not always. If Alexander was having trouble with a metaphor, Hess might help. Of course, Alexander added, “All the good poems in the book, I wrote.” Hess nodded and responded, “True.” One truth is there is no easy way to tease out who provided which words. When reading the poems, the authors voices are indistinguishable. The text appears seamless.

Randy Preston laughs as Kwame Alexander shares both the poetry in Solo and some of his own humorous family stories.

Music is a huge part of this book. Hess and Alexander they knew they wanted to include a lot of songs that defined their generation. Hess is a Guns N’ Roses and Metallica fan while Alexander’s taste runs more towards 80’s classic soft rock. They were able to weave music references throughout the book, but they wanted original music too. Preston played a part in creating that music. One evening in Milwaukee, Preston and Alexander were together and started brainstorming music. That night they worked on music to accompany some of Alexander’s previous books and over time they moved on to pieces for Solo.

When talking to Randy after the presentation, we discussed the power of having music tied to literature. Some readers may be drawn into books by the music even when they aren’t typically thrilled about reading. Randy noted that, “music is an equalizer.” He’s excited about the opportunities to go beyond traditional pages of books. With the audiobook, Solo goes well beyond the written word. The audiobook is narrated by Alexander and is accompanied by the original music. I’ve read and enjoyed the ARC, but after hearing an excerpt of the audiobook, I believe the audio will be an experience not to be missed.

Music is a key part of Solo. I asked Kwame how music has shaped his life. “It’s been a soundtrack through every stage of life. Music can make people feel better about themselves. I want people to feel better – that’s why I write.”

In addition to music, Solo is a book that explores what it means to be a family. Alexander shared that family is the most important thing in life.”It’s what we rely on and they encourage us. Family is something to be treasured, honored, and respected.”

Solo will be available on July 25th. My full review of the book may be found here.

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Author Interview: Cindy Pon

Want by Cindy Pon The moment I heard about it, I put Want on my to-read list because, um hello, sci-fi thriller set in Taipei? Yes, please. I’m over the moon this book is out in the world now, and we at Rich in Color will be talking more about Want in August! More on that next week. Today, we welcome Cindy Pon (@cindypon) to Rich in Color to talk about Want, writing, and representation. Check it out!

First off, I have to say that I was beyond excited for Want, a YA set in Taipei, Taiwan! I’ve been there! Ahhh! Ahem, anyway… How did it feel, writing a book set somewhere that’s clearly personal for you? Not to mention in an all-too-plausible near future setting that feels very relevant to current events right now?
 

All my novels are special to me, but WANT especially because it was an ode to my birth city. I really wanted to bring the city alive for readers, I wanted Taipei to be a character in itself. From some reader reactions, I feel like I achieved that for them, and it makes me so happy! As for relevancy, WANT is the novel that took longest from fruition in 2011 to actual publication. Six years is a LONG time, and I began to worry my near-future thriller would be retro-thriller soon enough. ha! Often the reader reactions were that the world felt very believable and real, and that is because I pulled a lot directly from headlines.

One thing I found fascinating was the seamless switching between languages in Want. Different books usually handle this in different ways to varying degrees of success. How did you decide you were going to handle the issue of portraying different languages? 

 

Hmm. It had to make sense but also feel organic and not confusing? I had great beta readers and critique partners, and I relied on them to make comments on points of confusion. I admit I’m a very intuitive writer, so it’s just a matter of does this fit, does it flow, does it make sense? Especially as I’m revising.

I definitely ship Zhou and Daiyu. But another relationship that felt incredibly central to Want was family – the found family of Lingyi, Iris, Victor, Arun, and Zhou. What made you choose this particular cast of characters?

 

Originally, WANT began as a short story in Diverse Energies (Tu Books) and only featured Zhou and Daiyu. I found both of them utterly fascinating, and it was their dynamic and my curiosity over what their stories were that convinced me to flesh the short story into novel length. As for the squad, I wish I could tell you I did tons of brainstorming and character notecards and trawled through countless images online for inspiration, but as with so much of my writing, they just happened. I did know that I needed distinct characters with distinct traits and abilities to offer to the group. That was the first and easiest thing to decide. Then, they basically told me who they were with each revision.

You referenced the movie Lucy in a Diversity in YA post. For me, Want felt like the anti-Lucy, and that’s something we need way more of. What do you hope to see in the future in terms of Asian representation in media?

 
I want movies and shows and media in the west to feature Asians front and center as protagonists and heroes, in all genres, from comedy to drama to speculative fiction. We’ve been shunted aside for far too long as far as representation, and so often, the bits we are given are offensive or stereotypical or completely dispensible. All the whitewashing is becoming tired and ridiculous. Our erasure still in media is very real.

The moment I finished reading Want, I wanted (haha) more. I hear there’s a sequel happening. Can you tell us anything about it?
 
Yes! My fantastic editor offered on RUSE, the WANT sequel, while I was actually in Shanghai for a research trip. So I am hoping to set RUSE in Shanghai. My second books are always dealing with the consequences of what happened in the first novel, and that is what I want to focus on in this one, too. Won’t say much more than that. ha!
 
Want is definitely going on the top of my list of fave Asian YA reads. What are some of yours?
 

Aww, that is such a compliment coming from you. Thank you so much, Jessica! I really love Malinda Lo’s Huntress and her forthcoming thriller A Line in the Dark. I also loved The Reader by Traci Chee, Rebel Seoul by Axie Oh, ENTER TITLE HERE by Rahul Kanakia, and Julie Dao’s Forest of a Thousand Lanterns! So much more to choose from since my Silver Phoenix debut back in 2009!

I imagine people have asked you what your favorite Taiwanese food is. But what I want to know is… What’s your favorite pearl milk tea flavor?

 
hahaha! Coconut milk tea OR barley tea (no milk)!

Finally, what new YA books are on your to-read list this year?

I’m super excited to read The Epic Crush of Genie Lo by F. C. Yee, Wild Beauty by Anna-Marie McLemore, The Library of Fates by Aditi Khorana, Warcross by Marie Lu, Uncanny by David Mcinnis Gill, The Glass Spare by Lauren Destefano, and The Speaker by Traci Chee!

Thanks for stopping by! For those of you reading along, be sure to grab Want for your must-read shelf!


You can find Cindy on Twitter and on her website!

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Author Interview: Alice Oseman

Having grown up believing college was an expectation, Radio Silence was quite an interesting story line for me and I enjoyed thinking about the alternative paths one can take. Today we welcome author Alice Oseman as she answers questions about her novel and her writing.

Can you tell our readers a bit about Radio Silence
Radio Silence follows the story of Frances Janvier, a high-achiever who has worked all her life to get to Cambridge University. But she has a secret – when she’s not obsessively studying, she’s a huge fangirl of a YouTube podcast show called Universe City. Frances thinks she knows what she wants out of her life – grades, university, money, happiness – but then she meets the creator of Universe City, and everything changes.
 
What do you love most about Frances and Aled?
My favourite thing about Frances is her childishness – she isn’t afraid to make herself look silly and just have fun. My favourite thing about Aled is his creativity and how much he dedicates himself to his creative projects.
 
Tell us how you really feel about university. Can you share a little about how your opinion was shaped?
I grew up thinking I was destined for Oxbridge, but failed to get in when I applied. I’d been a high-achiever my entire life and was crushingly disappointed. When I went to Durham University instead, a university I chose purely because it was high up on the league tables, I had a terrible time, and only realized then that university study probably wasn’t for me. I felt brainwashed into believing that I was a person who I was not by school and my teachers and the entire system of education.
 
I noticed there were several conversations about strong love between friends and even a little push back against characters who seemed to place more importance on romantic love. How deliberate was this or did the characters simply bring that about?
I, as a writer, am simply tired of romantic love being presented in Young Adult fiction as a priority, or even as something common. The truth is, very few people meet the ‘love of their life’ in their teenage years, but Young Adult fiction as a whole seems to present the idea that everyone meets their soulmate in their teens. I think there are a lot more interesting and realistic things to write about teenagers.
 
Which writers have been inspirational for you?
I wouldn’t be the writer I am today without Bret Easton Ellis (despite all his faults), or without J.D. Salinger’s The Catcher in the Rye.
 
Why is diversity in young adult fiction important to you?
It’s very important to me that all young people can see themselves in the books they read. We live in a very diverse society, and that should be reflected accurately in our literature.
 
And just for fun – do you have a Batman, unicorn, or otherwise unique onesie?
I have several – Batman, a teddy bear and a giraffe!

 You may find Alice on Twitter, Tumblr, Youtube, Instagram, Blog, and her Art Blog.
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Interview with S. Jae-Jones

The tail end of winter is just about as perfect as any time to welcome the new YA fantasy Wintersong, available now! Today, we welcome author S. Jae-Jones  (@sjaejones) to Rich in Color to talk about her debut book and more. Check out the interview below, and enter her giveaway for a copy of Wintersong!

The moment I read Wintersong’s synopsis, I was all about it: Sisters being there for each other, everything at stake, and otherworldy romance. What made you decide to write this specific story?  
We like to mythologize origin stories—we like to think that there’s a flash of inspiration, or an entire story that comes to us in a dream. The honest truth is, Wintersong is an amalgamation of things that interest me: music, Mozart, Germanic fairy tales, the Erl-king myth, underworld stories, the movie Labyrinth, the poetry of Christina Rossetti, etc. At the same time, in many ways, the book came to me fully formed: Liesl just…showed up with two siblings, a mother, father, and irascible grandmother in tow. Writing the first draft of Wintersong was almost a journey of discovery—I was racing to finish in order to figure out what happens to Liesl, pulling all my influences in along the way.

Do you see anything of yourself in the heroine of Wintersong, Liesl, or any of the other characters? What were your main influences for the characters and story?
I’ve disclosed in my newsletter that there is a little bit of me in every character I write, but what I gave to Liesl were two things: my creative process, and my bipolar disorder. I think personality-wise, I’m the most like Käthe, Liesl’s sister. Like her, I’m shallow, frivolous, and vain, but also loyal. The character I love best is Thistle, a prickly goblin girl, who indulges in all the petty impulses I cannot.

According to your blog, Wintersong was your Nanowrimo project. Did you find it easy or hard to write Wintersong? Do you still do Nanowrimo?
I found it easy to write Wintersong, so easy that I find it incredibly suspicious. While I can write a decent number of words per day, I’m not a particularly fast writer, and the speed at which I wrote a first draft of Wintersong still astounds me. I wrote the first draft (100,000 words) in 59 days. Yet despite this, Wintersong was also hard to write in the same way all my other books are hard to write: I’m a pantser, which means I’m unable to see the big picture until I finish a draft. And because I’m a pantser, I’m never sure if I’m going to be able to finish a draft at all because I have no idea what I’m doing or where I’m going. I still do NaNoWriMo, but I am embarrassed to admit that the year I “won” for Wintersong remains the only year I’ve ever won.

If you had to name a theme song for Wintersong, what would it be?
Oh man, I have so many songs on several different playlists, but I suppose Coming Down by Halsey. It’s a little on the nose, perhaps, but appropriate.

Are you working on any new projects (new books, poetry, short stories)?
I am currently working on the sequel to Wintersong, which will be out in 2018. I am always writing something, but whether or not they’ll see the light of day remains to be seen.

Exciting! Finally, read any good books lately? And are there any upcoming new books that you’re excited about?
I read a collection of short stories by Ted Chiang over the holidays, which were amazing. His story “The Story of Your Life” was made into the film Arrival (which I also loved), and it’s thoughtful, beautiful, and heartbreaking. I’m not actually much for short stories at all, but I loved, loved, loved them all.

There are so many books I’m looking forward in 2017, it would be impossible to name them all! I’m super excited for Done Dirt Cheap by Sarah Lemon and A Crown of Wishes by Roshani Chokshi, both of which I’ve read and think y’all will love.

Enter the giveaway below for a copy of Wintersong! The giveaway ends February 21st, and is open to USA mailing addresses. See terms and conditions for further details.

Wintersong by S. Jae-Jones

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Interview with Fonda Lee

Everyone, please welcome Fonda Lee to Rich in Color! Fonda’s new sci-fi book, EXO, is out today, and we’re thrilled to be part of her book tour. (You can find all the other stops on the tour–including other interviews, reviews, excerpts, and a guest post–by checking out the tour schedule at the end of the post.) There’s also a U.S. only giveaway for the book, which you can enter through the widget at the end of the interview.

If you love science fiction, you should consider adding EXO to your reading list! Here’s the summary:

It’s been a century of peace since Earth became a colony of an alien race with far reaches into the galaxy. Some die-hard extremists still oppose alien rule on Earth, but Donovan Reyes isn’t one of them. His dad holds the prestigious position of Prime Liaison in the collaborationist government, and Donovan’s high social standing along with his exocel (a remarkable alien technology fused to his body) guarantee him a bright future in the security forces. That is, until a routine patrol goes awry and Donovan’s abducted by the human revolutionary group Sapience, determined to end alien control.

When Sapience realizes whose son Donovan is, they think they’ve found the ultimate bargaining chip. But the Prime Liaison doesn’t negotiate with terrorists, not even for his own son. Left in the hands of terrorists who have more uses for him dead than alive, the fate of Earth rests on Donovan’s survival. Because if Sapience kills him, it could spark another intergalactic war. And Earth didn’t win the last one . . .

Find it: AmazonBarnes & NobleiBooksGoodreads

Now on to the interview!


Tell us more about the aliens you created for EXO and your world-building process for a conquered Earth.

The aliens in Exo are called the zhree. I wanted them to be very different from humans in appearance yet enough like humans in character that it was eminently plausible that the two species could work together. So I decided they needed to be land dwelling, highly social creatures with vocal language and dexterous appendages. Everything else was left up to my imagination. The zhree (or “shrooms” as some humans call them) have dome-shaped torsos, six limbs, six eyes, fins, and super strong flexible armor over their bodies.

In creating the world of Exo, I thought a lot about how Earth might have changed in the aftermath of alien arrival and global war. In movies, aliens often arrive over New York or another big city, but why would new explorers set down somewhere already densely infested with natives? I set the alien cities in sparsely populated places: Mongolia, Patagonia, the Australian outback, and here in North America, smack on the prairie on the border of Wyoming and Nebraska. And then I imagined how, over the course of a hundred years, war refugees and those privileged enough to work with the new governors would all flock to those sites and the world would be drastically reshaped by alien presence.

What can you tell us about the main character (Donovan) and his exocel?

Donovan is a young man with a tough job, who genuinely wants to do the right thing—he just isn’t always sure what that is. And navigating the moral dilemmas of the world he lives in just gets harder and harder for him. Donovan’s been raised to have a strong sense of duty and responsibility, but he’s also aware of the fact that he’s part of a privileged class. At a young age, he was Hardened—he went through a dangerous procedure that endowed him with an exocel, an alien biotechnology that gives his body a flexible, invulnerable armor that makes him stronger and much longer-lived. His status as an exo and as the son of a powerful political figure mean that he’s very much invested in the alien-governed world, but he’s also forced to come to grips with the violence, inequity, and problems associated with it.

Donovan has a conflicted identity: the aliens see him as human, but other humans see him as alien. My editor pointed out that his situation is in many ways a metaphor for mixed-race or second generation kids. I had no idea I was doing that, but given my own identity as the child of immigrants, I realized that she was right: my own experience had seeped into my protagonist’s character.

Your bio says that you have black belts in karate and kung fu. There were several great fight scenes in your previous book, Zeroboxer–can we expect intense fight scenes in EXO, too?

I promise Exo is just as action-packed, but in a different way. Zeroboxer is full of hand-to-hand combat, so in writing it, I relied heavily on my own martial arts background and watched an awful lot of UFC. Exo has a much more military sensibility, with firearms and dangerous missions and explosions. I’m neither a soldier nor a firearms expert myself, so I read a lot of military memoir, went to gun demonstrations, and did research. I enjoy all sorts of fight scenes; writing them is always a pleasure for me.

What was the most difficult aspect of writing EXO? What has the most rewarding part been?

The most difficult aspect of writing Exo was setting it up as the first book in a potential series while still delivering a story that was entirely satisfying on its own. My first book, Zeroboxer, was a standalone, so I hadn’t faced this challenge before. At the time, I didn’t know if my publisher would want a sequel to Exo so I needed to lay the foundation and keep that door open without leaving readers hanging at the end. It took quite a bit of revision for me to nail that balance to my and my editor’s satisfaction.

The most rewarding part of writing Exo has been, honestly, confirming that I can do this writing thing as a career. It’s difficult to write and publish a book; it’s more difficult to sit down and do it again. And again. And again. If you can still love writing and be motivated after the debut process, I think that says something. The second book is hard; writing Exo gave me confidence I have lots more books in me.

Both EXO and Zeroboxer are science fiction. What draws you to tell science fiction stories? Are there other genres you’d like to explore soon?

I’ve loved science fiction ever since I was a kid. I can blame my dad—he told me that he used to hold me in his lap as a baby while watching Star Trek original series reruns. Science fiction can be a very fun, entertaining genre full of cool futuristic gadgets and rollicking adventure, but it’s also, I would argue, the absolute best genre for exploring ideas about our world and society. The potential to both thrill readers and make them think is what draws me so strongly to the genre over and over again.

That said, I’m a fantasy writer as well so you’ll see me cross between science fiction and fantasy, YA and adult. I have no desire to write in any other genre; I have too many sci-fi and fantasy ideas already!

Why is diversity in young adult fiction important to you?

It’s more realistic. I know that sounds like a particularly blunt and unsentimental reason, but it’s true. Our society is diverse and growing more so. Fiction reflects truth; fiction should reflect diversity. As a science fiction writer, it’s my job to look at the world as it is and make plausible extrapolations into the future. Imaginary worlds are mirrors into our own. So, to me, it’s especially important to champion diversity in genre fiction because all people need to be able to see themselves as protagonists.

What books by or about people of color or people from First/Native Nations are you looking forward to this year?

I’ve got my eyes on Peasprout Chen, Future Legend of Skate and Sword by Henry Lien, Want by Cindy Pon, Empress of a Thousand Skies by Rhoda Belleza, Rebel Seoul by Axie Oh, and Warcross by Marie Lu.

What’s ahead for you? Are you able to share anything you’re currently writing/revising?

I’m hard at work on Exo 2, which will be out in the summer of 2018!

Giveaway Details:

3 winners will receive a finished copy of EXO, US Only.

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Fonda Lee writes science fiction and fantasy for teens and adults. Her debut novel, Zeroboxer was an Andre Norton Award finalist, Jr. Library Guild Selection, ALA Top 10 Quick Pick for Reluctant Young Adult Readers, Oregon Book Award finalist, and Oregon Spirit Book Award winner. Her second novel, Exo, releases from Scholastic in February 2017.

Fonda wrote her first novel, about a dragon on a quest for a magic pendant, in fifth grade during the long bus ride to and from school each day. Many years later, she cast her high school classmates as characters in her second novel, a pulpy superhero saga co-written with a friend by passing a graphing calculator back and forth during biology class. Fortunately, both of these experiments are lost to the world forever.

Fonda is a former corporate strategist who has worked for or advised a number of Fortune 500 companies. She holds black belts in karate and kung fu, goes mad for smart action movies (think The Matrix, Inception, and Minority Report) and is an Eggs Benedict enthusiast. Born and raised in Calgary, Canada, she currently resides in Portland, Oregon.

Website | Twitter | Instagram | Tumblr | Facebook | Goodreads

Tour Schedule:

Week One:
1/23/2017- Tales of the Ravenous Reader Interview
1/24/2017- Bibliobibuli YA– Review
1/25/2017- Two Chicks on Books– Excerpt\
1/26/2017- The Forest of Words and Pages– Review
1/27/2017- Novel Novice– Excerpt

Week Two:
1/30/2017- Omg Books and More Books– Review
1/31/2017- Rich in Color– Interview
2/1/2017- Nerdophiles– Review
2/2/2017-Fantasy Book Critic– Guest Post
2/3/2017- Such a Novel Idea– Review

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