Title: Flame in the Mist
Author: Renee Ahdieh
Pages: 368 pages
Publisher: G.P. Putnam’s Sons Books for Young Readers
Review Copy: ARC from publisher
Availability: In bookstores now
Summary: The only daughter of a prominent samurai, Mariko has always known she’d been raised for one purpose and one purpose only: to marry. Never mind her cunning, which rivals that of her twin brother, Kenshin, or her skills as an accomplished alchemist. Since Mariko was not born a boy, her fate was sealed the moment she drew her first breath.
So, at just seventeen years old, Mariko is sent to the imperial palace to meet her betrothed, a man she did not choose, for the very first time. But the journey is cut short when Mariko’s convoy is viciously attacked by the Black Clan, a dangerous group of bandits who’ve been hired to kill Mariko before she reaches the palace.
The lone survivor, Mariko narrowly escapes to the woods, where she plots her revenge. Dressed as a peasant boy, she sets out to infiltrate the Black Clan and hunt down those responsible for the target on her back. Once she’s within their ranks, though, Mariko finds for the first time she’s appreciated for her intellect and abilities. She even finds herself falling in love—a love that will force her to question everything she’s ever known about her family, her purpose, and her deepest desires.
Review: I loved Renee Ahdieh’s Wrath and the Dawn duology, so I was really excited to read Flame in the Mist. From the summary it looked like it would hit all the beats that I love about fantasy – smart heroine, dashing fight scenes, a bit of magic, and a plot where nothing is as it seems. Flame in the Mist does hit all those beats, but for some odd reason it took me a while to get into the story. I initially wasn’t feeling Mariko; I can’t truly figure out why it took me so long to warm up to her. Markio is an extremely intelligent young woman who is quite observant (a quality that I love in a character) and is not afraid to speak her mind. She is inquisitive, always asking questions which was a wonderful device Ahdieh used to get background information across. She’s decisive and is full of agency in this novel. When she learns that her parents had arranged her marriage, she rebelled in the most unique way – not that her parents know it, but Mariko feels like she has taken some control over her life with that one act. When the kiss comes between her and the mysterious Wolf, she is the one who initiates it. Clearly, as I describe her Mariko is a great character, but for some odd reason it took me a while to make a connection with her. I think it is because while Mariko is main character and we are in her head a good portion of the book, we are also in the heads of other characters fairly early in the book as it sets up the mystery. To me, it brought a sense of distance from Mariko that I didn’t fully connect with her until the plot became fully focused on her time with the Black Clan. I also feel like the pace of the novel changed from that point on as well and I was really able to dive into who the Black Clan truly were and what they stood for, as Mariko became comfortable with her abilities and becoming a member of the group.
On the other hand, Ahdieh did her due diligence in her research on feudal Japan. Granted, I am not an expert, but the world that Ahdieh created felt very real and believable, with the exception of the inclusion of magic, as if the events in the story could really have happen in history. The detail to which she describes the various locations bring to life Mariko’s world and all who inhabit it. Ahdieh weaves folklore into the story, such as the terrifying Jubokko tree that feeds off of human blood, as part of the every day world. Feudal life is accurately depicted as well as the tension between nobility and commoner when a call for change begins. Mariko is from the noble class and very quickly learns what life is like for those who are not. This is never more apparent than when Mariko and the Wolf have to run from a teahouse and visit an orphanage that the Black Clan gives money to. Ahdieh describes the teahouse with such glamor, from the motions the geikos use when performing dances, to the descriptions of the building itself, that when Mariko encounters the orphanage, the feeling of the book practically changes. The orphanage is the exact opposite of the teahouse and Ahdieh’s powerful prose juxtaposes the harshness of the orphanage to the teahouse beautifully. Ahdieh’s careful and accurate description of Mariko’s world is ultimately what makes Flame in the Mist so enjoyable. It’s so easy to get lost in the world Ahdieh created and imagine the time of the samurai.
Recommendation: If you’re looking for a good fantasy, buy this book.